
GROUPS
Toledo Opera Chorus
An enthusiastic mix of professional and avocational singers who
perform in Toledo Opera productions
The Opera Guild
A non-profit organization founded in 1962 whose mission is to promote opera in
the region by volunteering their time and talents in many ways
Primo Divos
A subscription group of LGBT community
members who share a love of opera
Operazzi
A social/educational membership club for people 25–40 who want
to learn more about the surprising, sensual and spectacular form
of entertainment called Opera
TOLEDO OPERA AT YOUR FUNCTION OR VENUE
Young
Artists Program
PAST PRODUCTIONS
2005-2006
The Marriage of Figaro
Madama Butterfly
The Greatest Wagner Concert Ever!
Pagliacci
2004-2005
The Barber of Seville
The Pirates of Penzance
From Broadway to the Met!
Faust
2003-2004
Don Giovanni
La bohème
A Night in Old Vienna
The Crucible
Amahl and the Night Visitors
2002-2003
La traviata
Sweeney Todd
Opera Goes to the Movies
Così fan tutte
|
- To communicate the richness and power of live opera and music
theater to audiences of all ages and backgrounds
- To strengthen the cultural and economic vitality of our region
- To build support and appreciation for opera and for Toledo
Opera
For nearly half a century, Toledo Opera, northwest Ohio's only
fully professional regional opera company, has fulfilled its mission
of providing professional performances of grand opera and Broadway
national tours at reasonable prices to citizens in northwest and
west central Ohio, as well as providing an impressive array of
education and outreach programs.
Founded by a group of visionary community leaders in 1959, Toledo
Opera opened its first season with Verdi's monumental Aida in the
3,500-seat Paramount Theater in downtown Toledo. Two years later
the company moved to the Peristyle Theater at The Toledo Museum
of Art and since that time has performed in both the 1,700-seat
Peristyle Auditorium and the 2,400-seat Stranahan Theater. In 1987
the company incorporated educational programs for schools, community
centers, and civic and service organizations in its quest to reach
a wider audience. The education of subsequent generations, and
their appreciation for the performing arts, is now a major component
of the Toledo Opera mission.
In 1990 Toledo Opera incorporated touring Broadway shows into
its performance series to expand the company's service base and
to ensure that this valued entertainment option remained viable
in northwest Ohio. With the 1995-96 season, the Opera took another
step in its development as a quality regional opera company and
valued community resource by presenting the world premiere performances
of American composer Jay Pouhe's opera Pantomime. In the following
season the company presented the regional premiere of Bellini's
spectacular grand opera, Norma.
In September 1997 Toledo Opera successfully completed its first-ever
capital campaign, raising $1.65 million to match a $1 million challenge
from a former board chairman. The endowment fund thus created has
ensured the financial stability of Toledo Opera and provided opportunities
for further artistic growth. In October 1999 Toledo Opera opened
its Fortieth Anniversary Season as the primary performing arts
organization in the newly recreated 900-seat Valentine Theatre
in downtown Toledo. Toledo Opera is now universally recognized
as one of the major cultural institutions in northwest Ohio and
one of the greatest regional opera companies in the United States.
The appointment in 2001 of Renay Conlin as General Director ushered
in a new era for Toledo Opera. Ticket sales, both subscription
and single, soared to new heights in the 2002-2003 season. For
the first time in the company's history the annual Opera Gala Concert
sold out, as Ms. Conlin changed its format from recitals to themed
events such as Opera Goes to the Movies and A
Night in Old Vienna.
In 2003-2004 a fourth staged opera was added to the season: Six
performances of Gian-Carlo Menotti's Amahl
and the Night Visitors were enjoyed by large
audiences of families during the holidays.
Ms. Conlin's success in programming contemporary operas, many
by American composers, along with traditional favorites from the
popular repertoire, has made Toledo Opera a more lively component
of the area's arts community. Her policy of opening dress rehearsals
to school children and college students has introduced the wonders
of opera to a generation who otherwise receive little or no exposure
to performing arts. Ms. Conlin's vision for Toledo Opera's future
combines growth in artistic excellence, a gradual increase in the
Opera's offerings to the public, and continued enhancement to the
quality of life in the region. |