I Dream

Douglas Tappin's I Dream

Friday, April 6, 2018 at 7:30pm, Saturday, April 7, 2018 at 7:30pm, and Sunday, April 8, 2018 at 2pm

Student Night at the Opera Performance on Wednesday, April 4, 2018 at 7pm

A modern, R&B opera recounts the final 36 hours in the remarkable life of American icon Dr. Martin Luther King, Jr. He was an all-too-human hero, who composer Douglas Tappin depicts as a flawed man of God who taught a nation that only love can obliterate hate.

The performances of I Dream, and the 50th commemoration of the assassination of Dr. Martin Luther King, Jr., provide an opportunity to bring people together for a shared experience that is powerful, positive and potentially transformative.

The life of Dr. King, and the movement he championed, continues to provide inspiration, courage and hope for the future of our community and our nation.  It is important for us to reflect on our history, but not be stuck in the past.  We can’t talk about where we want to go as a society without understanding where we’ve been, and to use that reflection to inspire and guide future action.

We at Toledo Opera are committed to playing our part as citizens who believe in an embracing community that respects and welcomes all.  While our role may be a small one in the grand scheme, through the power of music and theater, perhaps we can change one attitude or one perspective, which may in turn change others.

 

Dr. Martin Luther King, Jr. changed the course of American history and remains one of the country’s most revered and iconic leaders. Set over the final 36 hours of Dr. King’s life, I Dream celebrates the man, his inner struggles and the movement he championed. This very human story looks back on the early days of the movement that would reshape America and transform the preacher from Atlanta into an American icon. I Dream, the “rhythm & blues opera” by Douglas Tappin, is being produced for the 50th commemoration of Dr. King’s assassination and coincides with the 55th anniversary of his historic March on Washington. Using opera, jazz and popular musical styles, composer/librettist Tappin honors the man and the who became almost mythical in his pursuit of a dream.

The Story

On the morning of April 3, 1968, a young preacher from Atlanta prepares for a journey to Memphis, Tennessee to join striking sanitation workers in their protest for an improvement in their pay, treatment and working conditions. During the night, he had a dream – one that is a disconcerting mix of reminiscence and premonition. Always, at the center of the recurring dream, is a man who does not retaliate though he is viciously attacked, the image of a balcony that has about it a strange sense of foreboding – and destiny – and a moment he knows he is not yet ready to face, but cannot yet explain, or see beyond …

As he sets out on his journey, boarding a flight from Atlanta’s busy airport, he begins to reflect on episodes of his life and, by doing so, searches for meaning to his dreams. He starts with the early years of his story, remembering the harsh racism and segregation in the community of his childhood, his dear maternal grandmother and the promise he made to her at her deathbed. It was a promise to love, one that set his life upon its present course.

Further along on his journey, his thoughts return to Boston University, the place where he first articulated his rudimentary “love answer” to the persecution and injustice he saw. It was also the place he enjoyed the taste of a novel freedom and met the woman who would become his wife. She would set out with him on a life adventure that first took them to Montgomery, Alabama where, together, they would play a vital role in the 1955 bus boycott that changed the law.

As he continued his practical application of love to America’s social ills, sometimes with his strong, supportive wife, but most often alone – away from her, away from their young family and modest home – he challenged the status quo, alongside other leaders of the freedom revolution he led. Side by side, they marched in other cities, facing stern – and, at times, violent – opposition and winning political success at a national level in Washington D.C., but most victories being hard-won on streets, and in jail cells throughout the South.

He relives the most significant times he was celebrated and vilified, the struggles around him, the war within him and the loneliness and despair along the way from Birmingham to Selma where, in 1965, the stand he led the people to take created the enactment of voting rights legislation that changed the course of American history. He remembers this kaleidoscope of events as he arrives in Memphis, most poignantly on the morning after he makes, perhaps, the most emotionally draining speech of his life.

Finally, just 36 hours after he set out from home, he sits alone at the edge of his bed in a motel room, on the early evening of April 4. He knows that outside his room door waits the balcony of his recurring dreams. Dream has become reality; the moment he has seen in dream images is now the moment at hand.

Before he steps onto that balcony, he wrestles to complete the self-reconciliation of his life. Has he – the man, not the icon – done all he could? Although he has said he is not afraid, is he ready to die? And beyond himself, have people been sufficiently inspired and empowered to pursue the dream he preached to them? Even though he knows he will not experience the fulfillment of that dream with them, it is a dream of an unstoppable freedom that will wash away injustice and inequality.

Coming Soon

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