
A
musical joyride!
The Barber of Seville by
Gioachino Rossini
Toledo, OH – The world’s
most famous (and most boastful) barber takes audiences on a
joyride of music and madcap comedy in Gioacchino Rossini’s
sublimely funny The
Barber of Seville. Toledo Opera’s first
mainstage production of the 2004-2005 features, in the three
leading roles, a trio of stellar singers: baritone Marco Nistico
(Figaro), mezzo-soprano Jane Dutton and tenor Yeghishe Manucharyan.
Opening night of The Barber
of Seville is Saturday
October 2, 2004, with subsequent performances Friday, October
8, and Sunday October 10, 2004. All performances take
place at The Valentine Theatre. Tickets range in price from
$16 to $90 and are available online at www.toledoopera.org
beginning September 7, 2004.
Thomas Conlin will conduct the
Toledo Symphony Orchestra in The Barber of Seville. Mr.
Conlin has achieved recognition as a conductor throughout the
United States and Europe, and recently won a Grammy for his
recording of George Crumb’s Star-Child. The
production also features men of the Toledo Opera Chorus and
local actors.
Kay Walker Castaldo is the stage director and lighting design
is by David Gano.
Neapolitan baritone Marco Nistico
sings Figaro, Seville’s
most ingenious jack-of-all-trades. Acclaimed for his
vocal artistry, Mr. Nistico’s singing career has taken
him to many theaters in Italy and throughout Europe. In the
spring of 2005, he will debut at New York City Opera in Carmen.
Starring as the feisty and fearless
ingénue Rosina
is mezzo-soprano Jane Dutton. Ms. Dutton’s illustrious
career takes her to leading opera houses including the Metropolitan
Opera, San Francisco Opera, New York City Opera, and her recent
debut at the Gran Theatre de Liceu in Barcelona.
Count Almaviva, Rosina’s
hugely rich and hopelessly infatuated suitor, is sung by busy
tenor Yeghishe Manucharyan. In demand throughout North America,
Mr. Manucharyan’s recent
and future engagements include his portrayal of the Duke in Rigoletto with
Baltimore Opera and his debut at New York City Opera as Nadir
in Les Pêcheurs de Perles. Also featured in
the cast are basso buffo Carlos Conde as Rosina’s avaricious
and over-attentive guardian, Dr. Bartolo, Jamie Offenbach as
the music teacher Don Basilio and mezzo-soprano Susan Nicely
as Bartolo’s maid Berta.
THE STORY, IN BRIEF: In 18th-century Seville, Count Almaviva
is in love with Rosina, a ward of the inordinately overprotective
Dr. Bartolo, who plans to marry her himself – both for
her beauty and for her money. Almaviva employs Figaro, barber
to Bartolo and factotum to anyone in Seville who can pay his
fee, to help him gain entrance to the virtual prison that is
Rosina’s house. Figaro uses several wily stratagems to
foil the Doctor and his oily ally, Rosina’s music teacher
Don Basilio. He sends Almaviva to the house first as a drunken
soldier and then as a substitute teacher for Basilio. Although
wildly daring, filled with adventure, and almost perfect in
both planning and execution, neither scheme quite succeeds,
but in the end, with some deft thievery, bold deception and
flagrant trespassing, each of which justifies Figaro’s
fee, the quivering couple are united in the long-anticipated
happy ending in which, among other things, Bartolo is mollified
by the promise of a sizeable dowry from Almaviva.
BACKGROUND: Gioacchino Rossini
(1792-1868) composed nearly 40 operas in less than 20 years
and greatly influenced the development of the art form. His
success was due mainly to his inventive tunes and the simple
and direct impact of his compositions. Astonishingly, it took
him only two weeks to complete the score to The Barber
of Seville.
The libretto, by Cesare Sterbini,
was based on Beaumarchais’ play
of 1775, the first in a series of three featuring the Sevillian
factotum Figaro. The second in the series, La folle Journée – The
Crazy Day, 1784 – better know by its subtitle Le
Mariage de Figaro, had already received definitive treatment
by Mozart and his librettist Lorenzo da Ponte in 1786.
PERFORMANCES DATES, TIMES AND LOCATION
The Barber of Seville will
be performed on Saturday, October 2 at 7:30 p.m., with additional
performances on Friday, October 8 at 7:30 p.m. and Sunday,
October 10 at 2:00 p.m. All
performances are at The Valentine Theatre.
For more information or to order
tickets, call Toledo Opera at 419-255-7464 or log on to the
Toledo Opera web site located at www.toledoopera.org.