May 2, 2009 at 7:30 p.m.
Sung in English
The Peristyle, Toledo Museum of Art

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Richard Kind (narrator)
American actor Richard Kind
is known for his roles in the sitcoms Mad About
You and
Spin City. Kind
has also appeared in Larry David’s Curb Your
Enthusiasm, as well as creating the role
of Addison Mizner in Stephen Sondheim’s Bounce. On
Broadway he has appeared in The Tale of the Allergist’s
Wife, The Producers, and Sly Fox. Kind
has a recurring role in Scrubs as Mr. Harvey
Corman, and has also played a notable role on USA’s
crime comedy Psych as Hugo. Actor/director
George Clooney is a close friend, and was best man
at Kind’s wedding. Kind later went on to play
the part of a casting director in Clooney’s directorial
debut Confessions of a Dangerous Mind. Kind
has performed in radio/audio plays for the LA Theatre
works and the Hollywood Theater of the Ear, and served
as a guest panelist on the revival of the television
game show To Tell the Truth. He has also appeared
in an episode of CBS’ Two and a Half Men and
played Pseudolus in A Funny Thing Happened
on the Way to the Forum at the Sondheim Center
for the Performing Arts. Mr. Kind appeared in the role
of the narrator in New York City Opera’s recent
production of Candide.
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Audrey Elizabeth Luna, soprano
(Cunegonde)
During the 2007-2008 season, Ms. Luna performed the role of Giulietta in Pittsburgh
Opera’s production of I Capuleti e I Montecchi. With Hawaii Opera
Theatre she sang both Juliette in Roméo et Juliette and the role
of Anne in Sondheim’s A Little Night Music. Other recent engagements
include performances with El Paso Opera as Queen of the Night in Die Zauberflöte, Fido
in Paul Bunyan with Opera Omaha, Adina in L’elisir d’amore and
Belinda in Dido and Aeneas with the Bel Canto Northwest Festival. On
the concert stage, Ms. Luna has performed as soloist in Handel’s Messiah and
Bach’s Weinachts Oratorium with the Cincinnati Baroque Ensemble.
In 2008, she was awarded first place in the Altamura/Caruso International Voice
Competition. She is also a winner of a Loren L. Zachary Society National Vocal
Competition award, as well as the Audience Favorite Prize in Fort Worth Opera's
2008 McCammom Competition. This is Ms. Luna’s debut with Toledo Opera. |
Abby
Powell, mezzo soprano (Paquette)
Young American mezzo-soprano Abby Powell has already received glowing reviews
from The New York Times and The Juilliard Journal. Her operatic roles include
Dido as well as the Sorceress in Purcell’s Dido and Aeneas, Mère
Marie in Dialogues des Carmelites, Lucretia in The Rape of Lucretia,
and both Miss Jessel and Ms. Grose in The Turn of the Screw,
Charlotte in Werther, Octavian in Der Rosenkavalier, and most
recently, Gertrude in Hänsel und Gretel. Ms. Powell is currently
working with composer John Adams on his opera The Death of Klinghoffer in
the role of Marylin Klinghoffer at the Focus Festival in New York City. Equally
at home in recital, upcoming performances include a concert of Mussorgsky's Songs
and Dances of Death at The Opera Bastillé in Paris. Ms. Powell attended
The Juilliard School in New York City where she was awarded the Rise Stevens
Prize, the G. & M. Grunin Prize, and the Loretta Lewis Award in Voice. She
made her debut with Toledo Opera in our recent production of Salome,
and will participate in our Young Artist Program. |
Margaret
Lattimore, mezzo-soprano (The Old Lady)
Grammy nominated mezzo-soprano Margaret Lattimore is known for her looks, intelligence,
musicianship, personality, technique, and a voice of bewitching amber color.
She has sung with the Metropolitan Opera, New York City Opera, Washington Opera,
Dallas Opera and Netherlands Opera among others. The florid music of Rossini
has always been present in Ms. Lattimore’s career, and she has sung the
roles of Rosina in Il Barbiere di Siviglia and the title role in La
Cenerentola in nearly 25 companies across North America. Other roles include
Octavian in Der Rosenkavalier, Der Componist in Ariadne auf Naxos and
Sister Helen Prejean in Dead Man Walking. Her Mozart repertoire includes
Cherubino in Le Nozze di Figaro, Dorabella in Cosi fan
Tutte, Zerlina in Don Giovanni, and most recently, Tamiri in a
production of Il Re Pastore with the Mostly Mozart Festival in New York.
Ms. Lattimore was recently heard with the New York Philharmonic Orchestra and
the Pittsburgh Symphony in Handel’s Messiah, Juno in Semele with
Opera Boston, Mahler’s Second Symphony with the Colorado Music Festival
and Elijah with the Honolulu Symphony. |
Ryan MacPherson, tenor
(Candide)
During the 2007-2008 season, Mr. MacPherson made
his debut with New York City Opera as Anathol in Samuel
Barber’s opera Vanessa. Other performances
with New York City Opera include Ferrando in Cosi fan
tutte, Flamand in Capriccio, and Laurie in Little
Women. He added the role of Don José in Carmen to
his repertoire with performances at Opera Memphis, Festival
Opera of Walnut Creek and the National Concert Hall in Dublin.
With the Opèra National de Paris (Bastille), he made
his company debut as the Vision of a Young Man in Die
Frau ohne Schatten by Richard Strauss. Other performances
include Ruggero in Puccini’s La Rondine with
Sarasota Opera and Don Ottavio in Don Giovanni with
Utah Symphony. Recently, he made his Carnegie Hall and Kennedy
Center debuts creating the role of Meriwether Lewis in Michael
Ching’s new opera Corps of Discovery. He is
a recipient of the Richard F. Gold Career Award honoring
his contribution as a young artist to New York City Opera. Mr.
MacPherson was heard as Ferrando in Toledo Opera’s
production of Cosi fan tutte. |
Benjamin
Warschawski, tenor (Governor / Vanderdendur
/ Ragotski)
Career highlights have included Alfredo in La traviata with
New York City Opera, OperaDelaware, Bohème Opera
New Jersey, and Opera Naples, Edgardo in Lucia
di Lammermoor with Sarasota Opera and Nashville
Opera, Jacopo Foscari in I due Foscari and
Jontek in Moniuszko's Halka with Sarasota
Opera, Calaf in Turandot with Bohème
Opera New Jersey, Manrico in Il trovatore and
Don José in Carmen with Washington
D.C.'s Summer Opera Theatre, the Duke in Rigoletto with
Opera Illinois, Austin Lyric Opera, Augusta Opera,
and Annapolis Opera, the title roles in Werther and
in Puccini's Edgar with Dicapo Opera Theatre,
Pinkerton in Madama Butterfly with Augusta
Opera and Capitol City Opera, and Don José in Carmen with
Tri-Cities Opera. He has sung at cantorial concerts
in New York, Miami, Montreal, and Toronto, and was
invited to sing a holiday concert at the White House
for President and Mrs. Clinton. His discography includes
three CDs with XLNC Records.
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Lee
Gregory, baritone
(Maximilian / Captain)
Mr. Gregory’s 2007-2008 season included his debut with Opera Pacific as
Schaunard in La bohème, and the role of Belcore in L’elisir
d’amore with Opera Naples, Escamillo in Carmen with Boston
Midsummer Opera and Marcello in La bohème with ProCantus Lyric
Opera. Recent career highlights are performances at New York City Opera as Moralès
in Carmen, Mercutio in Roméo et Juliette with Nashville
Opera, Mr. Marshall in Regina at Bard’s SummerScape Festival,
John Brooke in Little Women with Dayton Opera, and Ping in Turandot with
Des Moines Metro Opera. He is a regular performer with American Opera projects,
where he has collaborated with new playwrights and composers, performing their
works in progress. He is a winner of both the 2006 Joy in Singing Competition
and the Licia Albanese Puccini Foundation Competition. Mr. Gregory appeared recently
as Mercutio in Toledo Opera’s production of Roméo et Juliette. |
Marco
Nisticò, baritone (Pangloss / Martin)
Marco is known for his beautiful voice and
compelling acting. Career highlights have included
Sharpless in Madama
Butterfly, Pallante in Handel's Agrippina,
Prudenzio in Il viaggio a Reims, Schaunard
in La bohème, and Dancaïro in Carmen with
New York City Opera; Francesco Foscari in Verdi's I
due Foscari with Sarasota Opera; Antonio in Donizetti's Linda
di Chamounix with the Caramoor Festival; Buffo
in Mozart's The Impresario with L'Opéra
de Monte Carlo; Figaro in il barbiere di Siviglia with
Toledo Opera, in Bologna, in Amsterdam, and on tour
throughout the Netherlands with Eurostage Productions;
Figaro in il barbiere di Siviglia and both
Durozeau and Renaud in Auber's Manon Lescaut with
Ireland's Wexford Festival; Malatesta in Don Pasquale with
Connecticut Grand Opera, and Tarquinius in Lucretia. Concert
highlights have included Fra Melitone in La forza
del destino with the Caramoor Festival; Schaunard
in La bohème with the Southwest Florida
Symphony Orchestra; and a Carnegie Hall debut as baritone
soloist in the Fauré Requiem.
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Jason
Ferrante,
tenor (Cosmetic Merchant / Inquisitor / Charles Edward
/ Senor)
Praised by Opera News for "singing
up a stylish storm", tenor Jason Ferrante sings
both comedians and protagonists on the operatic stage.
Engagements for 2007-2008 included his return to Arizona
Opera for Arturo in Lucia di Lammermoor, Blind
in Die
Fledermaus and Monastatos in Die Zauberflöte,
Borsa in Rigoletto with New Jersey Opera Theater,
and Pang in Turandot with Orlando Opera. In
the summer of 2009 he sang Eumete in Il ritorno
d'Ulisse in patria with the Greenwich
Music Festival, and Basilio in Le nozze di Figaro with
Berkshire Opera. 2008-2009 includes a return to Jacksonville
Symphony as Pong in Turandot and Goro in Madama
Butterfly with Madison Opera.
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Tyler
Thompson,
tenor (Alchemist / Sultan Achmet / Crook / Senor)
A recent apprentice Artist with Sarasota Opera, Mr. Thompson joins Toledo Opera
as a Young Artist in the 2009 Education and Outreach Program. He has appeared
as Jenik in The Bartered Bride with the Celestial Opera, Figaro
in Le nozze di Figaro, the Jailer in Dialogues of the Carmelites,
and David in A Hand of Bridge with California State University Fullerton.
He won 2nd Place in the NATS-LA Career Division and 1st Place in the NATS-LA
Apprentice Division. Mr. Thompson holds a Bachelor of Music in Vocal Performance
from Biola University, and a Master of Music in Vocal Performance from California
State University Fullerton. |
David
Giuliano,
baritone (Junkman / Herman Augustus / Senor / Judge)
Praised
by the San Francisco Classical Voice as “…a
highly impressive performer…ready for any major
operatic stage in the world”, David Giuliano
is an exciting singing actor blessed with an artful,
warm and colorful baritone voice. He has appeared
with such notable companies as Santa Fe Opera, Florida
Grand Opera, Fort Worth Opera, Chicago Opera Theater,
Boston Lyric Opera, and Glimmerglass Opera. He
has participated as a Young Artist with the San Francisco
Opera Center, Berkshire Opera, Central City Opera and
Santa Fe Opera. Mr. Giuliano received his Master’s
in Opera Performance at the New England Conservatory
and a postgraduate Artist’s Diploma at The Opera
Institute at Boston University.
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Cory
Clines, bass-baritone (Doctor / Inquisitor
/ Croupier / Stanislaus / Senor / Judge)
Bass-baritone Cory Clines recently appeared with the Pine Mountain Music Festival
as Pangloss/Voltaire/Governor in Bernstein's Candide and as Le Podestat
in Bizet's Le Docteur Miracle. Other credits include Count Ceprano in
Verdi’s Rigoletto, Conspirator in Un Ballo in Maschera with
Boston Lyric Opera, Dick Deadeye in Gilbert & Sullivan’s H.M.S.
Pinafore, and Gaston in Disney's Beauty & The Beast. Mr. Clines
completed his graduate work at the Longy School of Music in Cambridge, Massachusetts,
and also holds degrees from the University of Rochester, New York, and Eastman
School of Music. Mr. Clines recently made his debut with Toledo Opera in Salome, and
is also a part of our Young Artist Program.
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Patrick
Blackwell, bass (Bear-Keeper / Inquisitor
/ Tsar Ivan / Judge)
Bass Patrick Blackwell studied voice on a full scholarship at the Juilliard School
with the late Enrico DiGiuseppe. Upon graduating, he was accepted in the prestigious
San Francisco Opera's Merola Program for American Artists. He also participated
in the Santa Fe Opera, Aspen Opera Theater Center, and Houston Grand Opera programs.
His singing experiences have taken him to both Europe and Asia performing Mozart
arias and duets as well as African-American Spirituals in Beijing, China and
North Korea. His debut with New York City Opera included roles such as Colline
in La bohème, The Police Commissioner in Strauss's Der Rosenkavalier and
Dr. Grenvil in Verdi's La traviata. Upcoming performances include Ferrando
in Verdi's Il Trovatore with the Union Avenue Opera in St. Louis and
Porgy in Gershwin's Porgy and Bess with the New Jersey State Opera.
Patrick currently lives in Dutchess County, NY. with his wife and three children.
He made his debut with Toledo Opera in our recent production of Salome. |
Marc
Verzatt, Stage Director
Stage Director Marc Verzatt maintains an active career
directing opera, operetta and musical theater throughout
the United States and Europe, as well as serving
on the faculty of Westminster Choir College, and
as lecturer on opera and stage movement at Yale University's
Opera Program. Mr. Verzatt began as an assistant
stage director for the Lyric Opera of Chicago and
was soon appointed as acting coach and stage director
with the Lyric Opera of Chicago's prestigious young
artist program Lyric Opera Center for American Artists.
There he staged Le Nozze di Figaro, Così fan
Tutte, Lucia di Lammermoor, and Tchaikovsky's Iolanta.
For the Lyric Opera of Chicago he directed Massenet's
Le Cid with Placido Domingo and was the Assistant
Director and Movement Coordinator for their acclaimed
Ring cycle. He was also the Co-Artistic Director
and director of the Young Artists Program at the
Lake George Opera Festival where,
in addition, he staged productions of Otello, La
Traviata, Don Giovanni, Così fan tutte, Madama
Butterfly, and Ariadne auf Naxos.
Engagements in past seasons have
included Romeo et Juliette at the Lyric Opera of Kansas
City, Nabucco with Opera Carolina, and The
Mikado for
Arizona Opera. He directed a double bill of Suor
Angelica/Giannia Schicchi as well as Gounod's Le
Médecin Malgré Lui,
A Midsummer Night's Dream and Katya Kabanova at Yale,
Carmen at Atlanta Opera, Hansel and Gretel for Palm Beach
Opera, Chérubin with New Jersey Opera Theater,
Elisabetta Regina D'Inghilterra in his début with
the Teatro Colon, L'Italiana in Algeri with Arizona Opera,
Lyric Opera of Kansas City's Lucia di Lammermoor and
Tosca starring Aprile Millo which opened the season for
Cincinnati Opera Festival. In Europe, Mr. Verzatt has
stage Mozart's Bastine und Bastienne for the Gürzenich
Oper, Cologne and La Serva Padrona with Sinfonia Stuttgart.
Mr. Verzatt served as staff director to the new opera
house in Aachen, Germany where he directed Der
Graf von Luxemburg, and spent a year as Resident Director for
Andrew Lloyd Webber's Starlight Express in Bochum, Germany.
He was assistant to Jean-Pierre Ponnelle on his production
of Die Zauberflöte for the Salzburg Festival.
Mr. Verzatt studied drama at Rutgers
University and ballet on scholarship with New Jersey's
Garden State Ballet. He made his professional début
as a dancer with the Metropolitan Opera. After several
seasons as a soloist with the MET Ballet, he left to
continue his education in production as a stage manager
with the Cincinnati Opera. Marc Verzatt was the recipient
of Classical Singer Magazine's award for "Stage
Director of the Year" in
2006.
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Thomas Conlin,
Conductor
Thomas
Conlin is a regular guest conductor with symphony orchestras,
ballet companies and opera companies on five continents,
most recently in Belgium, Brazil, Canada, Colombia, Croatia,
Egypt, Germany, Ireland, Italy, Japan, Korea, Norway,
Poland, Russia, Spain, Turkey and throughout the United
States. Many of Conlin’s programs feature works
by Barber, Bernstein, Copland, Gershwin and other fellow
Americans, and he is a champion of music of our time,
but his international career includes conducting Tchaikovsky
and Rimsky-Korsakov in Russia, Beethoven and Brahms in
Germany, Mozart and Mahler in Austria, Debussy and Ravel
in France, Verdi and Puccini in Italy, Grieg in Norway
and Sibelius in Finland. Last season he led the Eastern
European premiere of Bernstein’s West Side
Story at the National Opera of Croatia, in Zagreb.
Maestro Conlin’s recording
of George Crumb’s Star-Child, on which
he conducts the Warsaw Philharmonic Orchestra and Chorus,
won the 2001 Grammy Award for Best Contemporary Classical
Composition. His music video, Symphonic Wonderworks,
won the Gold Award (1st Prize) at the 1992 Houston
International Film Festival and was nominated for a
Telly Award. His CD of Crumb’s A Haunted
Landscape was nominated for an Indie Award as
Best Orchestral Recording of 2002, and his latest CD
on the Bridge label, the Pulitzer Prize-winning Echoes
of Time and the River, was released in 2004 to
great acclaim. The first in a series of recordings
of works by the Brazilian composer Camargo Guarnieri
was released on the Naxos label last Year.
Conlin has collaborated in opera
and concert with renowned vocalists Kathleen Battle,
Marilyn Horne, Robert Merrill, Sherrill Milnes, Roberta
Peters, Giorgio Tozzi and Frederica von Stade, in ballet
with Mikhail Baryshnikov, Edward Villella and Violette
Verdi, and with instrumentalists Emanuel Ax, Alicia
de Larrocha, James Galway, Yo-Yo Ma, Itzhak Perlman
and Isaac Stern. For Toledo Opera he has conducted
recent productions of Romeo and Juliet, Don
Pasquale,
The Turn of the Screw, La traviata, Sweeney
Todd, Don
Giovanni, La bohème, The Crucible, The
Barber of Seville, Faust, Madama
Butterfly, Pagliacci, Cavalleria
Rusticana, Il trovatore, Amahl and
the Night Visitors,
The Marriage of Figaro, Tosca, Così fan tutte,
Rigoletto and Salome, and eight of TO’s Opera
Galas: Three Tenors! – the Next Generation, A
Night in Old Vienna, The Greatest Wagner Concert Ever!,
Opera Goes to the Movies, From Russia with Love, Richard
Strauss: the Last Great Romantic, From Broadway to
the Met and Viva Verdi!. |
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