
RICHARD
WAGNER: THE COMPOSER AND THE MAN
Some may ask: “a whole evening of music by one guy? What’s
up?”
Actually, nearly all evenings at the opera
consist of music by one guy – Mozart, Verdi, Puccini – to
name a few of the greatest and best-known. Wagner’s name
certainly belongs on that short list of great opera composers.
Problem is, his operas are huge, majestic affairs that enormously
tax the resources of most opera companies outside the major cities.
(Not to mention the challenge of finding voices big enough to
be heard over his giant orchestra!) The intimate ambience at
Toledo’s beautiful Valentine Theatre is perfect for The
Marriage of Figaro and La Bohème, but Wagner’s
grand music-dramas would simply take up too much space, both
onstage and in the orchestra pit, in that little gem of an opera
house.
So, that leaves us with the choice of settling
for cut-down versions of Die Meistersinger von Nürnberg or The
Ring of the Nibelung or finding a way to savor at least
some of the greatest moments of music from these acknowledged
masterpieces. Wagner’s contemporary, Gioacchino Rossini
(composer of The
Barber of Seville), remarked that “Wagner has lovely
moments but awful hours!” History – and the public –
obviously does not share Mr. Rossini’s opinion. In any
case, our Opera Gala will feature only Wagner’s most “lovely
moments.”
Richard Wagner’s life would make a fine
opera! In spite of the generous patronage of the mad King Ludwig
II of Bavaria, he was constantly in debt and fleeing creditors
all over Europe. He got himself involved in revolutions and political
upheavals and often had to hide to stay out of jail. When his
first marriage failed, he fathered two daughters and a son with
his best friend’s
wife, Cosima (the daughter of Franz Liszt), who he eventually
married. At the age of 68 he built a magnificent opera house
at Bayreuth (Germany), where Cosima’s first husband conducted
productions of Wagner’s operas.
Apparently Wagner
was a rather unpleasant character in real life, but his personal
shortcomings must be sublimated in the poetry and majesty of
his music. The immense surges of sound of the Wagnerian orchestra
with the voices and choruses soaring above it like the crest
of the waves form a might ocean which washes away the pettiness
of everyday life and carries us into a magic land of heroism
and romance – a land where the pure of
heart achieve apotheosis. What could be a more appropriate way
to celebrate the spirit of Valentine’s Day?
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