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Welcome to our Opera
Gala: Viva
Verdi! The
wealth of fantastic music by Giuseppe Verdi requires voices
that today are extremely rare. Verdi combined the great
Italian operatic tradition of “bel canto” (“beautiful
singing”) with a powerful sense of drama. The music
in operas like Aida, Otello and Un ballo in
maschera make extreme demands on the human voice.
Until about twenty
years ago, we had famous sopranos and tenors like Maria
Callas, Montserrat Caballe, Leontyne Price, Mario del Monaco,
Richard Tucker, Luciano Pavarotti, to mention just a few,
who could handle the challenges of this music. Today, however,
voices like these are rare, and many singers who undertake
these roles find themselves somewhat compromised by the
demands of the music. These operas require powerful, rich,
and emotive voices that soar over the orchestra and can
sing long, melting, beautiful melodies.
There are many opinions
regarding why these voices are now so rare. Some believe
that the pressure on young singers at the beginning of
their careers doesn’t allow their
voices to develop slowly and naturally. Additionally,
does the emphasis on being svelte tend to rule out people
with larger voices which often come in bigger frames? The
answer is probably a combination of these factors. How fortunate
we are to have two extraordinary singers at this Opera
Gala whose voices are up to the demands of performing
Giuseppe Verdi’s demanding music. |