
"THE PIRATES OF PENZANCE,
or the Slave of Duty," as
first produced at the Fifth Avenue Theatre in New York on December
31, 1879, and, also, for copyright purposes one performance
was given in England on the previous day at the Royal Bijou
Theatre, Paignton. The first performance in London, however,
was not until April 3, 1880, when it was produced at the Opera
Comique.
Who’s Who - The Cast of
Characters
Richard, a Pirate King
Samuel,
his Lieutenant
Frederic, a Pirate Apprentice
Major-General
Stanley, of the British Army
Edward, a Sergeant of Police
Mabel,
General Stanley's Youngest Daughter
Kate }
Edith }
General Stanley's Daughters
Ruth, A Piratical Maid-of-all-work
Chorus of General Stanley's
Daughters, Pirates, Policemen, Etc.
The Story
On the coast of Cornwall, a gang of pirates play
and party as Frederic (a pirate apprentice) reminds the pirate king that his
obligation to the gang is soon over. He was apprenticed to the pirates only
until his twenty-first birthday, which is that day, and he is leaving them. Ruth
(Frederic’s
nursery maid when he was younger) explains that Frederic should never have
been a pirate except for her mistake: she was told to apprentice Frederic to
a pilot, but she misunderstood and placed him with a pirate instead.
Frederic tells the pirates that, after he leaves
the gang, he intends to destroy them, not because he doesn’t love them,
but because he loathes what they do. He is a slave of duty and, when
no longer a pirate, it will be his duty to destroy them. The pirates understand,
and complain that they cannot seem to make money. Because Fredric is
a slave-of-duty to the pirates until noon, he tells them why: because they
are all orphans, the pirates will not rob another orphan; and since all their
potential victims are aware of this, they all claim to be orphans!
Because Fredric spent his entire life with the
pirates, he has never seen another woman; thus he thinks he may want to take
Ruth with him as his wife. He
asks Ruth if she is beautiful, and she responds that she is. Frederic,
a very trusting young man, says that he believes Ruth and he will not let her
age come between them. At this point, however, Frederic hears a chorus
of girls in the vicinity. He sees a group of beautiful young women and
he realizes he was betrayed by Ruth, and rejects her. Frederic informs
the girls that he is a pirate, but not for long. He asks if any of the
girls will marry him, and the youngest, Mabel, agrees.
The pirates enter the scene, and each grabs a
girl. Major-General Stanley enters and identifies himself as the girls’ father,
demanding to know what is taking place. When the pirates tell Major-General
Stanley that they intend to marry his daughters, he objects, saying he has
an aversion to having pirates as sons-in-laws; the pirates respond that they
are opposed to having major-generals as fathers-in-laws, but they will put
aside the objection.
Knowing about the pirates’ weakness, Major-General
Stanley tells them he is an orphan and, thus, disarms the pirates and takes
his daughters, along with Frederic, away to his family chapel and estate. Major-General,
who is actually not an orphan, soon feels guilty about the lie he told the
pirates. Frederic, however has a plan to lead a squad of zany policeman against
his old gang.
Before he can ac t, however, the pirate king
and Ruth arrive to tell him that he is still obligated to the pirates. Because
Frederic was born on February 29th of a leap year, he has served only five
birthdays, not the twenty-one required by his contract.
A strong sense of duty forces Frederic to relent,
and, because he is a member again of the pirate band, to reveal the truth that
the Major-General is not an orphan. The pirate king vows that he will
have revenge on the Major-General.
Mabel enters and begs Frederic not to go back
to the pirates, but bound by duty, he leaves. The police ready their attack
on the pirates, while the pirates creep in to take revenge on the Major-General.
The pirates defeat the police. However, when
Ruth divulges that the pirates are really noblemen and they swear allegiance
to the queen, the tables are turned, and the police take the pirates prisoner. However,
because the pirates have never really hurt anyone, they are soon forgiven.
The ex-pirates win the girls, Frederic wins Mabel, and everyone lives happily
ever after.
The Composer – Arthur S. Sullivan (1842-1900)
Sir Arthur Seymour Sullivan was born in Lambeth, London, in 1842 to a very
musical family. His father was a bandmaster at the Royal Military College and
before age 10 Sullivan had mastered all of the wind instruments in his father's
band. Sullivan composed his own anthem when he was 8 years old.
At age 14 he entered, as the youngest participant, and
won the competition for the first Mendelssohn Scholarship. He also won scholarships
at several prominent academies and conservatories, the last of which was
located in Germany where Franz List listened to Sullivan's final "thesis." Sullivan
returned to England at age 20, wrote the "Tempest" and became famous.
For the next ten years Sullivan was a professor of music,
a teacher, and an organist. Regarded as the leading composer of the day,
Sullivan had many influential friends in every circle of society including
many monarchs in Europe. In addition to composing "Onward Christian Soldiers," Sullivan
also composed several major choral works, including The Light of the World,
The Martyr of Antioch, The Golden Legend, and his lone grand opera, Ivanhoe.
Sullivan's first venture into comic opera was in 1867, with writer F.C. Brunand.
Together they produced Cox and Box and The Contrabandista.
In the period from 1871 to 1896, Sullivan collaborated with W.S Gilbert on
fourteen comic operas. The Grand Duke, last in the line, premiered March 7,
1896.
From 1872 until his death in 1900, Sullivan suffered from extremely painful
kidney stones and it is said that his most beautiful music was composed while
he endured great pain. He was knighted by Queen Victoria in 1883.
The Librettist – William S. Gilbert (1836 – 1911)
William Schwenck Gilbert, born in London in 1836,
was the son of a retired naval surgeon. Except for a kidnapping by Italian
brigands in Italy at age two, and a ransomed release, he appears to have
had a very normal upbringing. Beyond ordinary schooling, he took training
as an artillery officer and was tutored in military science with hopes of
participating in the Crimean War. Unfortunately for him, but not for us,
he did not graduate until after the War was over. Gilbert subsequently joined
the militia and was a member for 20 years.
After finishing his military training Gilbert worked
in a government bureau job which he hated. Upon receiving a nice inheritance
from an aunt, Gilbert indulged his fancy and became a barrister. Called to
the bar at age 28, Gilbert's law career, with no "rich attorney's elderly, ugly daughter" to
help him escape mediocrity, lasted just a few years. Before leaving his law
practice, however, he married the daughter of an army officer.
Gilbert had shown a proclivity for caustic wit and sarcasm
from an early age and it was this talent that put him on the path to greatness.
Beginning in 1861, Gilbert contributed dramatic criticism and humorous verse
(unsigned) to the popular British magazine FUN. Some of his work was accompanied
by cartoons and sketches which were signed "Bab." Many of the characters in the
G&S operas were modelled after some of Gilbert's "Bab" characters.
A collection of these Bab Ballads was later published in 1869.
The period from 1868 to 1875 was a very fruitful period for Gilbert, primarily
because two plays which he wrote in 1871 netted him huge financial rewards.
This was also the year that he collaborated briefly with a composer named Sullivan
on a production entitled Thespis which did not bring the duo any notoriety.
Their collaboration, however, spanned twenty-five years and produced a total
of fourteen comic operas of which The Grand Duke, the last in the order, premiered
in 1896.
Gilbert was knighted by Edward VII in 1907 and died in 1911, at age 74, while
attempting to save a drowning woman.
The Comic Opera’s Premiere
The first ever copyrighted performance of Pirates took place in Paignton,
South Devon, at the Royal Bijou Theatre on December 30, 1879.
Costumes were not ready; the actors had to improvise from what they had - mainly
bits and pieces from their wardrobes for their previous wardrobes for HMS Pinafore.
The policemen wore sailor's garb. The music was incomplete, as was the script.
There was time for only one rehearsal.
The singers had to carry their music with them on the stage. However there
was at least one London critic present who approved of the opera.
There are several instances in the various operetta of Gilbert and Sullivan
where certain numbers were cut after the opening performance, either because
the said number was controversial or just to speed up a 'dragging' production.
In The Pirates of Penzance one number, the 'Hymn to the Nobility' was performed
only once, in the performance given at Paignton:
Let foreigners look down with scorn
On legislators heaven born
We know what limpid wisdom runs
From Peers and all their eldest Sons:
Enrapt the true born Briton hears
The wisdom of his House of Peers.
Because international copyright was in a state of chaotic uncertainty, it was
decided to try and produce Pirates simultaneously in America and England.
Consequently, it was also performed at the Fifth Avenue Theatre, New York,
on December 31, 1879.
It was first performed in London at the Opera Comique on April 3, 1880.
An early review of Pirates of Penzance was published in The Monthly Musical
Record.
Web sites used as sources: www.classicalworks.com,
www.timelines.ws/1880_1890, www.inventors.about.com
What In The World . . .?
The Pirates of Penzance was
first performed in 1880. Listed
below are other events that took place in the decade of 1880 to 1890. *
indicates events of local interest
Web sites used as sources: www.classicalworks.com,
www.timelines.ws/1880_1890, www.inventors.about.com
World Events, American History & Social Sciences
- Jan 3, Grace Coolidge (Goodhue) First Lady: wife of 30th U.S. President
Calvin Coolidge [1923-29], was born.
- Jan 5, The shares of Homestake Mining Co. began trading
on the NY Stock Exchange.
- Jan 11, The Zulu war against British colonial rule
in South Africa began
- Feb 11, Honore Daumier (b.1808), French caricaturist, painter, died.
- Feb 15, President Hayes signed a bill allowing female attorneys to argue
cases before the Supreme Court.
- Feb 25, Congress passed the 1st Timberland Protection Act.
- Mar 3, Belva Ann Bennett Lockwood became the 1st female lawyer heard by
the US Supreme Court.
- Mar 14, Physicist Albert Einstein, mathematician best known for his theories
on relativity was born in Ulm, Germany. He received the Physics Nobel Prize
in 1921.
- Apr 16, Saint Bernadette, who had described seeing visions of the Virgin
Mary at Lourdes, died in Nevers, France.
1879
May
16, Treaty of Gandamak between Russia and England set up the state of Afghanistan.
Literature, Drama & Non-Fiction
- Jan 1, E.M. [Edward Morgan] Forster (d.1970), English
novelist famous for "A
Passage to India" and "A Room With a View," was born in London.
His novels exemplified his ideas about the conflict between the imaginative
and the earthy component of the human soul and character.
1879
Apr
9, W.C. Fields (Claude William Dukinfield [Dukenfield]), comedian, was
born in Philadelphia. He began his career as a vaudeville juggler, appeared
on Broadway and in motion pictures.
Visual Art
- Jan 1, William Fox, US film pioneer (Nickelodeon), was born.
1879
Mar
27, Edward Steichen, pioneer of American photography, was born.
Music
Year |
Event |
1881 |
Henri Vieuxtemps, French violinist and composer, dies |
1881 |
Bela Bartok, Hungarian composer, born |
1881 |
Brahms: "Academic Festival Overture," Opus
80, Breslau |
1881 |
Moussorgsky dies |
1881 |
Offenbach: "Les Contes d'Hoffman," Post.
opera, Paris |
1882 |
Igor Stravinsky, Russian composer, born |
1882 |
Millocker: "Der Bettelstudent," operetta,
Vienna |
1882 |
Tchaichovsky: "1812 Overture" |
1882 |
Gounod: "The Redemption," oratorio,
Birmingham |
1882 |
Rimsky-Korsakov:" The Snow Maiden," opera,
St Petersburg |
1882 |
Gilbert and Sullivan: " Iolanthe," London |
1882 |
Wagner: "Parsifal," Bayreuth |
1882 |
Berlin Philharmonic Orchestra founded |
1882 |
Debussy: "Le Printemps," orchestral
suite |
1883 |
Robert Volkmann, German composer, dies |
1883 |
Chabrier: "Espana, " rhapsody |
1883 |
Metropolitan Opera House, New York, opened |
1883 |
Royal College of Music, London, founded |
1883 |
Delibes: "Lakme," opera,
Paris |
1883 |
Richard Wagner, German opera composer, dies |
1883 |
Friedrich von Flotow, German composer, dies |
1883 |
Anton von Webern, Austrian composer, born |
1884 |
Bedrich Smetana, Czech composer, dies |
1884 |
Brahms: Symphony No. 3 in F major, Opus 90 |
1884 |
Bruckner: Symphony No. 7, Leipzig |
1884 |
Cesar Franck: "Les Djinns," symphonic
poem |
1884 |
Massenet: "Manon" opera,
Paris |
1884 |
C.V. Stanford: "Savonarola," opera,
Hamburg |
1884 |
Gustav Mahler: "Lieder eines
fahrenden Gesellen" |
1884 |
Vicktor Nessler: "Der Trompeter von Sackingen," opera,
Leipzig |
1885 |
Leopold Damrosch, German- American comductor, dies |
1885 |
Brahms: Symphony No. 4 in E minor, Opus 98 |
1885 |
Cesar Franck: "Symphonie
Variations" |
1885 |
Gilbert and Sullivan: "The Mikado," London |
1885 |
Alan Berg, Austrian composer, born |
1885 |
Anna Pavlova, Russian ballet dancer, born |
1885 |
Strauss: " The Gypsy Baron," operetta,
Vienna |
1886 |
Franz Liszt, Hungarian composer, dies |
1886 |
Wilhelm Furtwangler, German conductor, born |
1886 |
Charles Mustel of Paris invents the celesta |
1887 |
Aleksandr Borodin, Russian composer, dies |
1887 |
Sir John Stainer: "The Crucifixion," oratorio |
1887 |
Chabrier: "Le Roi malgre lui," opera,
Paris |
1887 |
Richard Strauss: "Aus Italien," tone
poems, Munich |
1887 |
Verdi: "Otello," opera,
Milan |
1887 |
Gilbert and Sullivan: " Ruddigore," London |
1887 |
Ignace Paderewski gives his first recital in Vienna |
1887 |
Bruckner: "Te Deum" |
1888 |
Gilbert and Sullivan: "The Yeoman of the Guard,"London |
1888 |
irving Berlin, American composer, born |
1888 |
Tchaikovsky: Symphony No. 5, St. Petersburg |
1888 |
Rimsky-Korsakov: "Sheherazade," opus
35, symphonic suite, St. Petersburg |
1888 |
Gustav Mahler becomes musical director of the Budapest Opera |
1889 |
Cesar Franck: Symphony in D Major |
1889 |
Richard Strauss: "Don Juan," symphonic
poem, Weimar |
1889 |
Gilbert and Sullivan: "The Gondoliers," London |
1890 |
Cesar Franck dies |
1890 |
Bruckner: Symphonies No. 3 and 4 last versions |
1890 |
Richard Strauss: "Toid und
Verklarung" |
1890 |
Borodin: "Prince Igor," opera,
St. Petersburg, (posth.) |
1890 |
Pietro Mascagni: "Cavalleria Rusticana," opera,
Rome |
1890 |
Tchaikovsky:"Quenn of Spades," opera,
St. Petersburg |
Physical Sciences & Inventions
- Feb 5, Joseph Swan demonstrated a light bulb using carbon glow.
- Feb 10, The 1st electric arc light was used in a California Theater. The
first electric arc lights were installed in Cleveland in this year. Some
women complained that the white light blanched their complexions in a most
ghastly manner.
- Feb 27, Constantine Fahlberg discovered saccharin, an artificial sweetener.
1879
Mar
8, Otto Hahn, German co-discoverer of nuclear fission, was born. He received
a Nobel Prize in 1944.
Miscellaneous
- Feb 12, 1st artificial ice rink in North America was at Madison Square
Garden, NYC.
- Feb 22, Frank Winfield Woolworth's 'nothing over five
cents' shop opened at Utica, New York. It was the first chain store. The "Great 5-Cent
Store" failed within weeks.
- Mar 13, New England Telephone and Bell Telephone merged to become the National
Bell Telephone Co.
- Apr 8, Milk was sold in glass bottles for the 1st time.
1879
Apr
20, The first mobile home (horse drawn) was used in a journey from London
to Cyprus.
Tell Us What You Really Think!
Imagine that you’re the music critic for
the local newspaper and write a review of the opera performance. Use
this as a creative writing exercise – feel
free to express your opinions, ideas and impressions of the performance. Please
send us a copy; we might even print your comments in a future issue of Top
Notes, the Toledo Opera newsletter, or post it on our web site (with your permission,
of course!).