Suor Angelica and Cavalleria Rusticana Synopsis

Suor Angelica

Setting: A convent in Italy

Time:  The latter part of the 17^th century

Sister Angelica and two lay sisters are late for chapel. The Monitor chides them for not doing penance as Sister Angelica has done. Some of the sisters confess they still long for worldly pleasures – Sister Genovieffa for the lambs she used to tend and Sister Dolcina for sweet things to eat. Sister Angelica denies she has any such desires, but the others know she desperately longs for some word from her family. For seven years she has heard nothing from them, and the sisters speculate that she was a princess, banished to the convent for reasons they have been unable to discover. Soon alms collectors arrive, distributing the food they have gathered. One of them mentions that a magnificent coach bearing a visitor stands outside the convent gate. Angelica is startled and, with increasing anxiety, asks her to describe the coach in detail. A bell rings announcing the visitor. The Abbess enters and tells Angelica that her aunt, the Princess, has come to see her.

Approaching, the Princess rejects Angelica’s gestures of affection. The Princess explains that when Angelica’s parents died, she was made guardian of both Angelica and her sister, Anna Viola, and was given control over their inheritance. Anna Viola is to be married and the Princess demands Angelica sign her share over to her sister. Crushed by her aunt’s cruelty, Angelica swears she has repented. She cannot, however, erase the memory of her little son, who, she learns, died two years ago. Her will no broken, Angelica sobs and signs the document. The Princess withdraws and Angelica grieves that her son died without his mother by his side. Resolving to join her child in heaven, she drinks poison. She is then struck by the reality of what she has done and prays for salvation. A celestial choir is heard and Angelica sees a vision of the Blessed Virgin with her child.

Cavalleria Rusticana

 Setting:  A village in Sicily,

Time:  1900

At dawn on Easter Sunday, Turiddu sings in the distance of his love for Lola, wife of the carter Alfio. She and Turiddu had been a couple before he joined the army. When he returned and found her married to Alfio, he seduced Santuzza but now has abandoned her and rekindled his relationship with Lola. Later in the morning, a distraught Santuzza approaches the tavern of Mamma Lucia, Turiddu’s mother, who tells her that her son is away buying wine. But Santuzza knows that Turiddu has been seen during the night in the village. Alfio arrives with a group of men, boasting of his horses—and of Lola. He asks Mamma Lucia if she has any more of her good wine. When she says that Turiddu has gone to get more, Alfio replies that he saw him near his house that same morning. Lucia is surprised, but Santuzza tells her to keep quiet. As the villagers follow the procession to church, Santuzza stays behind and pours out her grief about Turiddu to Mamma Lucia. The old woman expresses her pity, then also leaves for Mass. Turiddu arrives in the piazza. When Santuzza confronts him about his affair with Lola, he denies her accusations. Just then Lola passes by on her way to church. She mocks Santuzza, and Turiddu turns to follow her. Santuzza begs him to stay and implores him not to abandon her. Refusing to listen, Turiddu leaves, and Santuzza curses him. Alfio appears, late for Mass. Santuzza tells him that Lola went to church with Turiddu and reveals that she has been cheating on him. In a rage, Alfio swears to get even and rushes off, leaving behind the now conscience-stricken Santuzza.

Returning from the church the villagers gather at Mamma Lucia’s tavern. Turiddu leads them in a drinking song, but the atmosphere becomes tense when Alfio appears. He refuses Turiddu’s offer of wine and instead challenges him to a knife fight. Turiddu admits his guilt but is determined to go through with the fight, for Santuzza’s sake as well as for his honor. The two men agree to meet outside the village. Alone with his mother, Turiddu begs her to take care of Santuzza if he doesn’t come back, then runs off to the fight. As Mamma Lucia waits anxiously, shouts are heard in the distance. A woman runs in screaming that Turiddu has been killed.

Courtesy of the Metropolitan Opera